Yellow Earth Essays

Yellow Earth Essays Yellow Earth Paper Yellow Earth Paper According to the New York State Writers Institute Yellow Earth has swiped away viewers of almost every nationality. The burst of Yellow Earth in the Chinese culture surpassed any film before made by any Japanese arena. It meant future hope for cinematographers like Zhang Yimou and Chen Kaige which have enthralled cinemagoers with works like Red Sorghum and Farewell, My Concubine. As with other trailblazers, the Fifth Generation needed a breakthrough movie to bring them to the attention of viewers at home and abroad. This new era of filming color and graphics for the viewers back in 1984 was a smashing hit for the Chinese community. It brought a new way of thinking for many up to now film makers which back in those days visualization in films was not an option. As of 1984 and after the making of Yellow Earth there was great propaganda for Chinese films, specifically filmed and produced by Zhang and Chen who established themselves at the forefront of world cinema surpassing Japanese films because of their unique way and avenues to new ways of making film. This has made Chinese cinema since 1949 the state propaganda machine. Yellow Earth, which is set in 1939, centers on the relationship between Gu Qing, a member of the Eighth Route Army, and a peasant family. Gu comes to the village to compile a collection of folk songs; he meets the young Cuiqiao and her family. She is due to enter into an arranged marriage, which terrifies her. She is inspired by Gus stories of girls fighting in the army; she asks him whether she can follow him back to Yanan. While she awaits his return, she is forced to marry her appointed groom. She decides to try to join an army unit that is camping on the other side of the Yellow River. The relationship between the people who live and love this land, the party of soldiers and the land; giving the film its title of Yellow Earth. This is a Maoist revolutionary thought. The people from china struggle against the hardships of the land as they have done throughout history. Yellow Earth’s message is not openly showing and pointing out the major problems which China has come across in the past and still does against the vast masses and it’s situations but it discusses and brings reality to the viewers concerning communism and it’s purpose for the people. â€Å"Here to save the people† as Cuiqao says placing her faith and her passion with the soldiers who believe in the same cause and contributes to her inspiration of making her land a better place to live. This is the first film to emerge from China and one of the most thrilling debut features of the 80s; catching the attention of the viewers, nationally and internationally. A Communist soldier visits a backward village in 1939, and is billeted with a taciturn widower and his teenage daughter and son. The soldiers mission is to collect folk songs, and its through the exchange of songs that he gradually wins the trust and affection of his hosts. The widower’s young daughter is to be sold into marriage with a much older man. The soldiers conversations of breaking up with feudal tradition fills her with unrealistic hopes of escaping her fate as she insistently thinks of a way of leaving her fate to her own battle. The soldier returns to his base, leaving her to take her future in her own hands. There are political undercurrents here that got the film into trouble in China: the encounter between the CP and Chinas peasants is shown not as an instant meeting of minds, but as the uneasy, frustrating, and ultimately unresolved process that it actually was. What really stirred things up in old Beijing was the films insistence on going its own way. Chen Kaige and his cinematographer Zhang Yimou have invented a new language of colors, shadows, glances, spaces, and unspoken thoughts and implications; and theyve made their own language be spoken to anyone involved in the making of this movie as well as viewers from all over the world. Consistent with Chinese art, Zhang Yimous cinematography works with a limited range of colors, natural lighting, and a non-perspective use of filmic space that aspires to a Taoist thought :Silent is the roaring Sound, Formless is the Image Grand. The use of silence as a component of Third Cinema is much like the empty space of Chinese art or cinema. The long shots of the natural environment possess a respect that is accompanied by silence. By drawing upon characteristics of Chinese art, the fifth generation of Chinas film-makers create a new vocabulary, a new filmic language with which to work. By challenging Western aesthetic practice, films such as Yellow Earth can be placed within the realm of a Third Cinema.

Genetic Enhancement Essays - Molecular Biology, Biotechnology

Genetic Enhancement Essays - Molecular Biology, Biotechnology Genetic Enhancement Complaining about What is scarring people in these days is the possibility of cloning discoveries. At this point the question is: how this discovery will affect our society? And what is the scientists goal?. We all are worried about this discovery because what come out from scientists it is not really reassuring. Even scientists dont know what will be the long- terms effects of playing with genes if they might have bad results on patient's descendants. Moreover, by altering the natural course of nature on people, making them thinner, healthier we might increase marginalizazion and discrimination of people who cant or just dont want to be genetically enhanced. In response to pressure from society, We should stop and think before allowed scientists to go on without strict controls. All the attention these days to concerns about human cloning has pushed other controversial areas of medical science into shadows. The first attempts are to carry out genetic enhancement in humans could soon be under way. The goal of genetic enhancement is not to treat people with diseases or abnormalities, but to make healthy people more attractive. To do so, it would employ the recombinant- DNA techniques from monocular biology that emerged in the 1970s. This permits scientists to remove individual genes from one organism and introduce them into another, even on another species. Although we belief that The therapy aims to overcome health problems by giving the effected individuals the normal- or functioning- gene. Allowing genetic enhancement in more than a few very special cases poses real problems. First, the risks to the patient at present are very great compared with the possible benefits. We sill know very little about how they act- a single gene can have multiple effects in different parts of the body. Moreover, genes do not act alone: the ire effects are amplified, demitted, or counterbalanced by others genes in ways that we do not understand. We might be willing to expose a patient to great risks to treat grave disease. Subjecting someone risk is ethically unacceptable if the person seeking treatment is healthy. Second, genetic enhancement may pose risks to others, particularly to patient's offspring. We do not know whether gene therapy might contaminate the genetic material of the gonads. Because of this, genetic enhancement might create serious enhancement unacceptably high when weighed against the possible benefits. Genetic enhancement might reinforce irrational societal prejudices. People who do not wish to be genetically enhanced eventually night be marginalized or suffer discrimination. We should not simply throw up hands and lament that nothing can be done to stop genetic enhancement. Instead, we need to decide what enhancements we consider unacceptable, and to prevent their use. A helpful model is the moratorium that scientists imposed on themselves in the early 197s, when they had just discovered how to manipulate genetic material trough recombinant DNA techniques. If we do not establish some guidelines now, we are likely to find ourselves focusing only on the short term interests of an individual patient. Allowing the anxieties and biases of the moment to blur our judgement. Nor should we leave decisions about genetic enhancement to the whims of the market place or in the hands of patients or families. This may be too easily swayed by messages in the media about what standards of appearance, and behavior are acceptable. We need to decide what enhancements we consider unacceptable, and prevent their use. Furthermore sometimes we forget the real importance of a human life, too often scientists treat human as animals because of their experiments. We all want to live in a good world preferably without any kind of illness, but if this means destroy our nature may be is time to think watts we are doing and were we are going to end. Medicine exists since the humane race exists, but in the past was different; it was an armless medicine created in order to take care of real ill people. On the other hand whiteout out the progress in medicine we wont survey in this way. We can certainly affirm that we have a cure for almost everything: beginning from the fever and ending. Bibliography .personal notes

Music Appreciation Essay Example | Topics and Well Written Essays - 250 words - 2

Music Appreciation - Essay Example Thus the usage of themes from other composers was quite acceptable. According to Hoffer, â€Å"people in the classical period, including composers, seemed to attribute little mystery to the act of creating music, an attitude that would change radically in the nineteenth century.† As compared to the nineteenth, twentieth and twenty first century the musical patronage as termed by Hoffer does not exist because of copyright issues. Current composers are more oriented on individuality, mystery, creativity and success and any infringement is punishable by law. When compared to the classical age, it can be concluded that there was no mystery in works of art such as classical music and there was less awareness of copyright issues as compared to this century where every composer wants to be unique in his/her own way The composers in the Viennese Classical Period should not have been more concerned about plagiarism because this is the age that sought to bring about a nineteenth, twentieth and twenty first century that is conscious, full of mystery, creativity, individualism and success by composers. For example, if Mozart did not prepare a booklet of musical hymns, then a lot of musical arts that depended on his work would not have been realized. Composers today should be concerned with plagiarism. Creativity is something that should be fostered in the musical culture. This century cannot be compared to the classical century of musical patronage where musical hymns were shared and anyone could use them. If in this century it was right to commit plagiarism, then a lot of composers would be creating music and there would be other composers who would take that music and make the best out of it and be more successful that the original composer. What is important to note about this issue is that success matters in this century and everybody composer